Friday, November 4

Making Music/The Scenic Route to Success :: November 1991

Lush are the cover story on the November 1991 issue of Making Music, "The Scenic Route to Success" by Jon Lewin. The subhead teaser reads:
"[Lush have] been the big noise in the press for about a year now, though their particular bubbles beginning to show signs of deflating."
There goes another faction of the music press, building-up then writing off the band once again.

"They're widely acclaimed as both precursors to and leading lights of The Scene That Celebrates Itself, though their particular combination of intricate vocal harmonies, angry guitars, mobile bass, and adaptable time signatures transcends such a limiting categorisation."

The four Lushes settling down to eat their lunchtime bagels in their Camberwell rehearsal room while preparing for their early October London mini-tour.

Following are some very abbreviated excerpts
from the Making Music story concerning the writing and recording for the upcoming LP.

The band currently (early October) are promoting their new Black Spring EP with a mini-tour of London and working on a forthcoming LP, which they've been recording and mixing this Autumn for release in the New year... all that's left now is for producer Robin Guthrie to come back from holiday to finish the mixing.

Although occasional parts may be added in the studio, Lush never write as a foursome, or simply work out new material by jamming. "We can't," says Miki.
"Because were such crap musicians," laughs Emma.

While working with Robin Guthrie on the new LP, Chris wasn't allowed to touch his new Yamaha drum kit. "I hated it, but I'm really pleased with the end results." says Chris. Instead of his own, Chris basically played on a Simmons kit wired up to change the fills, then re-done on Octopads. He says it divides his play into five different processes which for him doesn't seem natural, but the end result sounds like a really good drum kit.

With the new LP, Lush's repetoire is up to 21 songs, 17 of which are played for live shows.
Admits Chris "That's the weird thing now, we've got so many songs." Chris also lays claim to be the boss on stage, since he controls the tempos of the songs... and he's prone to speeding up those tempos. "And there's us lot giving him dirty looks, telling him to slow down." Miki says.
"That's because," adds Emma, "we can't bloody play the songs any faster..."

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